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The film The Killing Fields came out in 1984 when I was studying plant biology at Uni
It looked to manicured - a state I don't really identify as typical of the Australian landscape
Back then I believed that the trajectory would change
but set to work to make it a forest
and the dense foliage
Absence of fenceline 122 X 122cm Oil on linen framed landscape artisti The film The Killing FieldsI'm sure this presents as a curious title for a painting, but it refers to the journey the work has had in the making. Originally conceived as a view across pasture cut off by a fenceline, I decided I didn't like the finished work. It looked to manicured a state I don't really identify as typical of the Australian landscape. I liked some of the trees and so I retained those, but set to work to make it a forest. And I removed the fence!
